Katy Deepwell

a writer/ art critic, art historian, based in London.　She is the publisher and editor of n.paradoxa: international feminist art journal, which she founded in 1998.

Her books include:
Dialogues: Women Artists from Ireland (London: IB Tauris, 2004); (ed. with Mila Bredikhina) Feminism-Art-Theory: A Russian Reader (Moscow: Rosspen, forthcoming 2004/5, Russian text); (ed) Women Artists and Modernism (Manchester University Press, 1998); (ed) Art Criticism and Africa (Saffron Books/ EAP, 1997); and (ed) New Feminist Art Criticism: Critical Strategies (Manchester University Press, 1995).

Suzanne Milevska

born in 1961, Bitola, is an art theorist and was curator working at the Museum of the City of Skopje, Macedonia. In 1984 she received her BA from the Art History Department of “St. Cyril and Methodius” University in Skopje and in 1993/1994 she studied Philosophy and History of Art and Architecture at the CEU in Prague. Currently she is a PhD candidate at Goldsmiths College - Visual Culture Department.

Research and curatorial grants:
2001-Capital and Gender/Perfect Match, City Shopping Mall/Museum of the City of Skopje, Skopje, Macedonia
-Correspondences, IFA Gallery, Berlin, Stuttgart, and Bonne, Germany
1999-Always Already Apocalypse, Yuldiz Sabanci Cultural Centre, Istanbul, Turkey
1998-Little Big Stories, National University Library, Skopje, Macedonia; Riksarkivet, Stockholm, Sweden
1997-The Bridge (Marina Abramovic solo exhibition), The Museum of the City of Skopje, Skopje, Macedonia
1996/1997- Liquor Amnii Ｉ/ＩＩ , Cifte Amam, Skopje, Macedonia; Providence-RI,

Viktor Misiano

A curator and critic based in Moscow. In 2000 he curated in Paris L'autre moit de l'Europe at the Galerie nationale du Jeu de Paume; and in 1996, Manifesta 1, the European Biennale of Contemporary Art, held at various locations in Rotterdam and Amsterdam. He is the editor-in-chief and publisher of Khduzhestvenny zhurnal (Moscow Art Magazine).

Research and curatorial grants:
2000 Paris L'autre moit de l'Europe at the Galerie nationale du Jeu de Paume
1996, Manifesta 1, the European Biennale of Contemporary Art, Rotterdam and Amsterdam

Haydee Venegas

Art History professor at the Escuela de Artes Plsticas in Puerto Rico [1993-to day]. She teaches Contemporary Art, Latin American, Caribbean and Puerto Rican Art. During six years she was in charge of the Federal funded project, actually she runs the Visiting Artist grant. For eight years she was Assistant Director at the Museo de Arte de Ponce [1980-87]. During those years she organized over thirty exhibitions of the most important local artist, including the traveling retrospective exhibition of the Puerto Rican participant in the conceptualization of the Impressionist Movement, Francisco Oller [1833-1917]. In 1988 she created CONCULTURA, an organization that offers consultation to collectors, give classes to different people interested in art, organize symposiums, seminars, cultural events and curates exhibitions. Her critics are published periodically in Contemporana and El Nuevo Da. Was member of the jury for the 4 th Bienal de Arte Caribeo, in Santo Domingo [2001] and the Bienal de Arte Paiz in Guatemala [2002]. She has lecture on Puerto Rican Art in Washington, Texas, Florida, Ireland, Spain, Italy, France, Holland, Japan, Argentina, Ecuador, Costa Rica, Honduras, Mxico, Dominican Republic, Barbados and Senegal. At present she is president of the Finance Committee of the International Art Critic Association [AICA] and is Treasurer of the AICA-PR. Was Charter Member of the Puerto Rico Community Foundation, the Chase Manhattan Bank ? Puerto Rico Art Committee and the Museo de Arte Contemporneo Puertorriqueo Boards.